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Prayer from Voices of Peace JOURNAL ARTICLE published 1980 in Perspectives of New Music |
Alexander Tcherepnin's Thoughts on Music JOURNAL ARTICLE published 1982 in Perspectives of New Music |
Diatonic Interval Sets and Transformational Structures JOURNAL ARTICLE published 1979 in Perspectives of New Music |
Pitch Structure Articulation in the Variations of Schoenberg's Serenade JOURNAL ARTICLE published 1968 in Perspectives of New Music |
Rigors of Subjectivity JOURNAL ARTICLE published 1997 in Perspectives of New Music |
Twelve-Tone Rhythmic Structure and the Electronic Medium JOURNAL ARTICLE published 1962 in Perspectives of New Music |
Symmetry and Pitch-Duration Associations in Boulez' Le Marteau sans maître JOURNAL ARTICLE published 1986 in Perspectives of New Music |
Six American Composers on Nonstandard Tunnings JOURNAL ARTICLE published 1991 in Perspectives of New Music |
Notation-Material and Form JOURNAL ARTICLE published 1965 in Perspectives of New Music |
The Evolution of Carl Ruggles: A Chronicle Largely in His Own Words JOURNAL ARTICLE published 1968 in Perspectives of New Music |
Interval Set Structure in Schoenberg's Op. 11, No. 1 JOURNAL ARTICLE published 1974 in Perspectives of New Music |
Bach as a Failure JOURNAL ARTICLE published 1992 in Perspectives of New Music |
Felice Compleanno, Maestro Don: For B♭ Clarinet JOURNAL ARTICLE published 1991 in Perspectives of New Music |
Histori JOURNAL ARTICLE published 1979 in Perspectives of New Music |
Elliott Carter and the Postwar Composers JOURNAL ARTICLE published 1964 in Perspectives of New Music |
A Pyrrhic Victory for Scholarship? The New Grove Dictionary of Music and Musicians JOURNAL ARTICLE published 1981 in Perspectives of New Music |
Toward a Musicology for the Twentieth Century JOURNAL ARTICLE published 1977 in Perspectives of New Music |
Report from New York: The New Virtuosity JOURNAL ARTICLE published 1963 in Perspectives of New Music |
A Symmetry of Thought JOURNAL ARTICLE published 1991 in Perspectives of New Music |
The Futures of Music JOURNAL ARTICLE published 1980 in Perspectives of New Music |