Interpreting Othello in the Arabian Gulf: Shakespeare in a Time of Blackface Controversies

JOURNAL ARTICLE published 30 December 2020 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Katherine Hennessey

Introduction

JOURNAL ARTICLE published 30 November 2011 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Laurence Wright

Book Reviews

JOURNAL ARTICLE published 31 December 2013 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Dhrubajyoti Sarkar | Sagar Taranga Mandal

An Interview with Karen Raber: Reflections on Posthumanist Shakespeares

JOURNAL ARTICLE published 15 March 2022 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Robert Sawyer | Monika Sosnowska

Theatre Reviews

JOURNAL ARTICLE published 26 June 2015 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Xenia Georgopoulou | Eleni Pilla | Urszula Kizelbach | Jacek Fabiszak

Book Reviews

JOURNAL ARTICLE published 30 December 2016 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Hisao Oshima | Tomasz Fisiak

The Archive and the Digital Age: Field Notes from the Pedagogical Front

JOURNAL ARTICLE published 30 December 2019 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Irena R. Makaryk | Ann Hemingway

Utopia, Arcadia and the Forest of Arden

JOURNAL ARTICLE published 30 December 2022 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Ronan Paterson

Book Reviews

JOURNAL ARTICLE published 30 December 2022 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Guixia Xie | Sabina Laskowska-Hinz | Ted Motohashi | Jie Tang | Yuying Wang

Thematic Volume Introduction: Shakespeare and Ideology on Page and Stage

JOURNAL ARTICLE published 14 December 2022 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Krystyna Kujawińska Courtney

Epitomes of Dacia: Wallachia, Moldavia, and Transylvania in Early Modern English Travelogues

JOURNAL ARTICLE published 14 December 2022 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Monica Matei-Chesnoiu

Shakespeare Studies in Iran: The British Knight for Persia

JOURNAL ARTICLE published 23 November 2023 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Parviz Partovi

“Hopeful feeling[s]:” Utopian Shakespeares and the 2021 Reopening of British Theatres

JOURNAL ARTICLE published 30 December 2022 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Rowena Hawkins

Tsubouchi Shōyō and the Beauty of Shakespeare Translation in 1900s Japan

JOURNAL ARTICLE published 22 April 2016 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Daniel Gallimore

Introduction: Shakespeare and/in Europe: Connecting Voices

JOURNAL ARTICLE published 30 June 2019 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Nicole Fayard

Book Reviews

JOURNAL ARTICLE published 30 December 2017 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Xing Chen | Tianhu Hao | Xiaoling Wu

Performing Shakespeare in Contemporary Japan: The Yamanote Jijosha’s The Tempest

JOURNAL ARTICLE published 30 December 2016 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Emi Hamana

When "Macbeth" Meets Chinese Opera: A Crossroad of Humanity

JOURNAL ARTICLE published 30 June 2020 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Li Xingxing

Noh Creation of Shakespeare

JOURNAL ARTICLE published 30 December 2016 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Kuniyodhi Munakata

Introduction: Re-writing and Translating Shakespeare’s Originality in a Global Culture

JOURNAL ARTICLE published 22 April 2016 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: José Manuel González